Mt. Gribley

A new release.
A growing connection.

Bringing Mt. Gribley’s folk music to new listeners through Spotify playlisting and conversion ads, with an audience still listening a month later.

Mourning Light streams13.1K
Monthly active listeners703
Monthly listeners later10,470

Track streams: 10th December 2025 to 24th January 2026.
Active listeners: campaign snapshot.
Follow-up audience: 29th January to 25th February 2026.

The musicMourning Light / Moss on the Stone
The campaignDecember 2025 to January 2026
Scroll to discover

Give the music
room to grow.

For folk artist Mt. Gribley, the release of Moss on the Stone was a chance to reach people who would connect with the music and keep coming back.

We centred the campaign on Mourning Light, pairing Spotify playlisting with conversion ads. The single gave new listeners a way into the album, while the campaign focused on building engagement across the wider catalogue.

The aim went beyond a first play: more listeners choosing to save the music, add it to their own playlists and return.

One song opens
a wider world.

Mourning Light arrived on 3rd October 2025. The album, Moss on the Stone, followed on 12th December. Our December to January campaign connected the focus track with that larger body of work.

Mourning Light single artwork

Mourning Light

Single released on 3rd October 2025

Listen on Spotify
Moss on the Stone album artwork

Moss on the Stone

Album released on 12th December 2025

Listen on Spotify

Moss on the Stone

10th December 2025 to 25th January 2026 · Worldwide

Streams (shown in graph)
15,892
Listeners
10,522
Streams / listener
1.51
Playlist adds
673
Saves
569

Streams per day

Listeners are unique across the selected period; the line shows daily counts.
Mt. Gribley singing and playing guitar on stage

More plays.
More intent.

Moss on the Stone recorded 15,892 streams from 10,522 listeners between 10th December 2025 and 25th January 2026.

Across that period, the album received 569 saves and 673 playlist adds, showing listeners choosing to keep the music in their own collections.

An audience
taking shape.

The campaign snapshot showed 703 monthly active listeners: people who had intentionally chosen Mt. Gribley’s music in the preceding 28 days.

Within that audience, 22 super listeners averaged 29.7 streams each. Another 148 moderate listeners and 533 light listeners made up the rest of the active audience.

Monthly active listeners

28th December 2025 to 24th January 2026 · rolling 28-day audience

703active listeners
3.4 streams per listener
Monthly active audience by listening depth
AudienceListenersStreams / listener
Super listeners3% of active listeners2229.7
Moderate listeners21% of active listeners1486.3
Light listeners76% of active listeners5331.5
Shares rounded as reported.

The whole active audience averaged 3.4 streams per listener. The deeper-listening groups show why it helps to look beyond total reach.

New ways in.
Reasons to return.

Playlisting introduced the music to listeners in relevant settings. Conversion ads supported that discovery with a direct route to the focus track.

Spotify for Artists recorded 943 streams from listeners’ own playlists and libraries during the campaign. The report also recorded 196 streams from algorithmic playlists and mixes and 1,476 from radio and autoplay.

13 independent
playlist placements.

Support placed the music alongside acoustic, indie folk and country artists. Explore all 13 playlist placements from the campaign report below.

Acoustic Songs Spotify playlist artwork

Acoustic Songs

Followers: 1,521

Acoustic Songs, 1,521 followers

Playlist names and follower counts are from the campaign report; artwork was sourced in November 2026.

Where the streams came from

10th December 2025 to 24th January 2026 · Worldwide

  • Listeners’ own playlists and library
  • Algorithmic playlists and mixes
  • Radio and autoplay

Streams per day

Streams · 10th December 2025 to 24th January 2026: comparison with the previous reporting period
Streams · 10th December 2025 to 24th January 2026Previous periodThis periodChange
Listeners’ own playlists and library109943+765.1%
Algorithmic playlists and mixes27196+625.9%
Radio and autoplay6531,476+126.0%
Algorithmic and radio daily values are reconstructed from the original report graph; period totals match the report. Library values use the recorded daily data.

A month later.
Still listening.

The follow-up report covered 29th January to 25th February 2026. Mt. Gribley reached 10,470 monthly listeners, with 14,648 streams across those 28 days.

Another 136 saves and 566 playlist adds appeared in that reporting window. The audience continued to engage with the music after the campaign period.

One month after the campaign

29th January to 25th February 2026 · Worldwide

Listeners (shown in graph)
10,470
Streams
14,648
Streams / listener
1.399
Saves
136
Playlist adds
566
Followers
73

Listeners per day · 29th January to 23rd February 2026

Summary figures cover 29th January to 25th February 2026. The line shows daily listeners through 23rd February.

Followers one month later

29th January to 25th February 2026 · Worldwide

Listeners
10,470
Streams
14,648
Streams / listener
1.399
Saves
136
Playlist adds
566
Followers (shown in graph)
73

Total followers on each date

Followers are the total on each date, not new followers per day.

Discovery continued.

The follow-up report recorded 196 streams from algorithmic playlists and mixes across 29th January to 25th February, up 70.4% from 115 in the previous period.

Algorithmic playlists and mixes

29th January to 25th February 2026 · Worldwide

  • Algorithmic playlists and mixes

Streams per day

Streams · 29th January to 25th February 2026: comparison with the previous reporting period
Streams · 29th January to 25th February 2026Previous periodThis periodChange
Algorithmic playlists and mixes115196+70.4%
Daily values are reconstructed from the original report graph. Period totals match the report.

A first listen.
A lasting place.

A focus track gave new listeners a way in. The wider catalogue gave them more to explore. A month later, the music was still finding its audience.

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